The Hon.

This story begins many many weeks ago. Adelaide was much younger then, and in need of some soft nurturing hands and some bars.

I was standing in the offices of Radio Adelaide (228 North Terrace, next to the Anthopolgy building, for all you subscription needs). Restless, I tapped my collegue John on the shoulder and asked whether he would fancy a skip and a hop down to Format. I beleive we took the route of North Terrace down to King William, as to avoid the consumers in Rundle Mall, and perhaps stick our noses into Tuxedo Cat to ascertain whether the selling of beers was occurring.

The sun was near completing it’s decent beyond the gulf of St Vincent, when in actuality it was the Earth itself, particularly the South Easternish hemisphere, turning away from the sun (or if your point of view is America/Europe being the centre of the world, turning toward the sun.) We were on Hindley Street by that stage, I could tell because the shop fronts took on a decidedly lesser brow.

We turned, fighting the unavoidbale g-force of vibrations, down into Peel Street where standing there was none other than Tea & Magazine merchant, and some times bicycle chaining felon Joshua Fanning.

“Oh, hello dear sir. Jolly funny that we should bump into you like this. What may I ask brings you to this most vibrative of bitchumen paths”, I said.

“Waiting for a bunch of beaurocrats”.

Mr Fanning went onto explain that the capital city committee had decided to tinker with the already fine workings of Leigh St and that, he beleived, they should perhaps focus some time and energy on the laneways that weren’t doing so well, such as the very one upon which we stood.

We bid him good luck, tipped our hats, and journeyed forth to Format. Despite the sign on the door reading that the shop were to open at Three PM, and it being a quarter past that time, the door was locked. We therefore turned heel, and traveled back to Josh. It was at this time that the capital city committee turned up.

I said to my collegue John.

“Hold up good chap, let’s eavesdrop”.

And that we did.

It turned out that this group of bureaucrats included Lord Mayor Stephen Yarwood and Premeir Jay Weatherill. We inconspicuously waited back, leaning on pillars like the cool guys that we were (although I think John was standing upright, like a person above the age of 17). All of a sudden standing next to us, like a ninja from a thin mist, was a woman.

“Are you with Josh”, she asked.

A conversation ensued, the woman introduced herself as Lois Boswell, deputy chief of staff of the Premier. We introduced ourselves as The Scenery, we make lots and lots of money with our radio show. Seconds later we were shaking hands with the Premier, giving our personnel details to the governent, and then shaking hands with the Mayor.

Then Stan came. It involved the Mayor, there may have been talk of ball tickling, but that’s another story…

Some time after that the Scenery was involved in a conversation that may well have changed the course of Adelaide’s destiny: The Cultural Impact of Licensing and Regulation for Small Venues and Bars CODENAME: VIBRATORS.

So we all know what happened there, or we SHOULD all know ^^^. Anyway I found myself with a pint of Little Creatures Quiet American, sitting in the front bar of the Wheatsheaf with a host of good people and Stan. Joe Hay was talking excitedly about an idea that we’ll come back to a bit later. Then Lois Boswell leans over, like a ninja from a thin mist, and says.

“Y’know, we got to get the Premier on your show”

“Sure”, I said.

And the rest is history. Thanks Lois.

And so the Scenery, along with Ianto Ware, welcomed Premier Jay Weatherill. We weren’t short of any topics of interest for the Premier, but decided on three main points of focus:

1)The budget decisions regarding the Thinkers in Residence Program and the Integrated Design Commission and what that meant for the future of South Australian design.

2) The government’s response to suggestions of a small venues liquor license, and amendments to building codes in order to stimulate Adelaide’s fine grain culture and night time economy.

3) How important is the relationship between State and Local Governments in achieving the related goals of the above.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The announcement of a Thinker in Residence, most likely the last of the program, to tackle the live music industry and the related issues, was met with great anticipation from the Scenery and de facto member Ianto Ware. The idea for this goes way back to before that night at the Wheatsheaf.

“So who do you think we should get to be a Thinker for the live music scene”. Joe Hay asks putting me on the spot.

“Nick Cave”, I say.

“Lemmy”, says Ianto.

(The Scenery shall hold a poll as to who you think would be the better thinker.)

Following the show the Premier visited the Jade Monkey, and spoke with Zac before sitting down for a beer and a chat with Mateo, Ianto and myself. Then it was time for an impromptu tour of down stairs bar Two Ships, during Mutiny. Only in Adelaide.

Goodnight, and goodluck.

 

 

VIBRATORS (The Cultural Impact of Licensing and Regulation for Small Venues and Bars)

On Monday May 7th 2012 Renew Adelaide hosted a forum at the Jade Monkey on The Cultural Impact of Licensing and Regulation for Small Venues and Bars. The forum featured Renew Adelaide director Ianto Ware, Format Collective director Stan Mahoney, Tuxedo Cat organiser Cass Tombs, West End Association President Andrew Wallace, Suzi Wong’s Room proprietor Nina Jerebica, Deputy Chief of Staff of the Premier Lois Boswell, and cultural policy guru John Wardle.

The Scenery were lucky enough to be included as conversation partners on the forum, joining an illustrious list that included; The Jade Monkey, Fnucky, Suzi Wong’s Room, The Adelaide West End Association, Tuxedo Cat, Udaberri, Music SA, Adelaide Fringe, Format, Magazine and Renew Adelaide.

The turnout to the event exceeded expectations, with the venue reaching capacity shortly before the forum was to start. Most sincere apologies to all those who were turned away. I must say that it was exciting to see a wide cross section of the community that cared enough about the topic to come in attendance.

I’d like the acknowledge the attendance of fellow Radio Adelaide family Jennie Lenman of Streetcast, Seb Tonkin of The Range on Tuesdays, Luke Penman of Local Noise, Luke Eygenraam of the Friday Range and the Live Sessions, and Ryan Winter of the Scenery.

The Scenery recorded the event with the much appreciated help of Ross from Northern Sound System. Paul Gallasch also videotaped the event, which will be available to view in the next coming days.

Please note that the sound quality is not extraordinary, and that non microphoned members of the crowd have been crudely amplified.

Intro – Ianto Ware

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Stan Mahoney of Format

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Nina Jerebica of Suzi Wong’s Room

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Cass Tombs of Tuxedo Cat

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Andrew Wallace of the West End Association

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Ian Horne of the AHA

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Lois Boswell, Deputy Chief of Staff of the Premeir of SA

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

John Wardle

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Discussion

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

We can only hope that this is just the beginning of the conversation.

Support the venues that support “fine grained” Adelaide culture, and buy some damn beer.

THIS is the link to Raise the Bar

Listen in to the Scenery this Friday May 11th as we recap this event with a chat to Lord Mayor Stephen Yarwood, and Ianto Ware.

 

 

XO

The Carnival is Over

On this episode Ryan and John were joined by Format Collective member Simon Gray, discussing the end of Adelaide’s festival season, the South Australian Screen Awards and Format doings.

So it’s come to this…

I stood looking up and down the line up for the Barrio ‘End of the World Party’, it’s last night as the festive season drew to a close. A group or friends were more or less lined up where the back Neon Lobster would have been, tempting me like midnight sprites to line cut, and offering plausible rationale for doing so. After battling with my conscience for some time, and faced with never seeing the bowels of the wonderful Barrio beast, I quickly buttered my way in as the line made it’s natural progression forward. We waited for forty odd minutes, which paled in comparison to the some who had been in line for up to two hours, before we made it to the glorious front. Before even quizzing us, our arms were loaded up with offerings as we made our way past the giant Barrio sign, and into the mouth of madness.

The great hype that surrounded the mysterious Barrio injected a pleasant excitement into the festival season that many Adelaideans take, not for granted but something else, like a cruise control mentality. It certainly exposed holes in the draw of the Garden of Unearthly Delights, that for many who patroned it in it’s infancy, has become a strange, unnatractive beast, more like a pen for ticket holders than a destination of curiosity.

Both Tuxedo Cat and Arcade Lane shone amongst the current barrage of buzz words being thrown about this city (renewal, activation, vibrancy) and continue to teach lessons about the potential of unused spaces and the need for small live/arts based venues.

Here Simon gives a Fringe show critique.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Some may have noticed that the Format space, usually bustling with the goings on of the Format Festival, was a little subdued this year.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Scenery office was buzzing at the list of nominations for this years South Australian Screen Awards, with many a Scenery friend making the list.

We must congratulate and good luck:

Best Documentary Nominee Peter Drew for Adelaide’s Forgotten Outlaws.

Innovation in Digital Media nominee Dario Russo for Danger 5

Innovation in Digital Media & Best Feature Film nominee Sam Wright

Best Perfromance nominee Kieran McNamara for Steak Knife

Good Luck Chaps!

 

and as for us, we bid you adieu

Love,

The Scenery.

Stan II: the Quickening

The dynamic duo of Mateo and Ryan headed up this episode of the Scenery featuring the infamous Stan Mahoney and a feature on local Adelaide television production Danger 5.

Film makers Dario Russo and David Ashby caught the eyes of SBS television execs with Youtube clips of their serial ‘Italian Spiderman’. They were originally approached to turn the internet sensation into a television series, but due to differences among the original production team, the idea never came to fruition, leaving Italian Spiderman for dead. SBS opted to see what Russo and Ashby could come up with, leading the two to give birth to Danger 5.

Danger 5 is a local South Australian production, the only current production that is wholly South Australian made, conceived and funded, with the majority of the cast and crew from SA. Set in an alternative World War 2, Danger 5 follows an elite fighting force as they try and thwart the evil doings of Adolf Hitler. Ryan Winter dropped Russo a line to hear all about the up-coming television debut of Danger 5.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Danger 5 debuts on SBS Monday the 27th of February at 9:30pm

This week the Scenery invited Format Collective and Festival of Unpopluar Culture big wig Stan Mahoney to the studios as part of our Drop In series. Stan was lovely enough to lend his time in chatting about the Generation 4 incarnation of Format, this years abridged FUC, and the general trials and tribulations of an Adelaide arts guy.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

This week’s feature track comes from the the world’s superpower, China. Band, Dear Eloise, is a husband and wife collaboration, whom do not perform live (at least not at the time of the article I read about them). I love droning noise with sweet voices over the top. That is all.

Many Bothans died to bring us this information.
Pardon my brain deadity, I am extremely hungover.
Loving you for too long,
The Scenery.

The Horses Mouth

Welcome back dear friends. This week on the Scenery Mateo and Ryan spoke with our second ever Drop In guest, a man whose finger at one time or another has been deep in the pies of Format, the Festival of Unpopular Culture and Renew Adelaide, Dr Ianto Ware. After offering him a napkin for said finger much was spoken about empty buildings and the carcinogens in pigeon droppings.

Earlier in the week Ryan spoke with Thom Miles of folk blog site Timber & Steel, featuring a topic that has popped up more than once of the show: Print and the Internet.Timber & Steel run a free music blog, whose various contributors write for the passion and love of the folk scene. A question then arises that is very dear to our hearts, what is the value and quality of content that is available free from unpaid contributors.

Mateo and Ryan welcomed Ianto Ware, CEO of Renew Adelaide, into the studios as another guest in our Drop In series. Once again we are filled with giddy excitement as we discuss one of our favorite topics, urban renewal. The first half of the chat Ianto talks about how the Renew concept started in Newcastle, it’s adoption to Adelaide and the goals and challenges of implementing it in our capital. The second half tells the tale of Tuxedo Cat, a renew success story whom we featured a few weeks back, and a yarn of how they secured their new premises on North Terrace.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Earlier in the week Ryan had a chat with Thom Miles, Adelaide based contributor to indie folk blog Timber & Steel. The Scenery has had our talks in the past about Print media, and the endless chorus announcing it’s death. Here Ryan and Thom talk about the alternative, albeit one form of the alternative, free online media.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

This week’s feature track comes from Father John Misty a.k.a. John Tillman of Fleet Foxes. Jesus Christ girl, what am I going to think if you don’t like this song. I thought you liked it with a disdainful troubadour thump. I don’t mind if you don’t wear shoes, but I can’t be fucked cutting my nails. Hollywood Forever Cemetery Sings.

We stole the cookies from the cookie jar,

 

but we saved you a tic toc.

♥ the Scenery.

Love, Ringo. P.S. Forgive the lateness of my reply

Yes, Ok, I know I’m a bad guy, and that these pages should have been updated long ago. Truly though, there was a legitimate reason initially. But the past is the past and now the Scenery is back for the New Year with some great new ideas and show format.

Before all of that though we must recap the last shows of December featuring a chat with ad-man Sputnik and a little preview of the new Tuxedo Cat.

Scenery wise man Ryan Winter spends many a day meditating in the hidden Scenery sanctuary deep in the hills, about the fabric that links the people of Adelaide together. We’re not going so far as to say he’s exploring the cosmic unconsciousness, or the lattice of coincidences that occur when people think of plates of shrimp, but more about the degrees of separation that keep us from reaching critical mass.

Sc-Fi geekdom aside, there are some who muse on the idea of what could be if all the pockets of artists, musicians and designers of like minds came together to unify an ultimate scene, and the vibrancy that followed. Of course we’re not talking about holding hands while painting on the same canvas, but more of a mutual acknowledgement and co-operation.

That’s when Ryan came across eccentric ad-man Sputnik, who has seemingly been pondering the same thing. The following feature originally aired December 9th

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

I never ventured down Synagogue Place, just off Rundle St. The prospect of even walking past the nightclub Church (now Apple), sent shivers through my being, always leaving a bit of regurgitated burrito in my mouth. But it just so happened that one night a few of my friends insisted that I come to a graffiti party, at some stage during the mist of 2008. The idea is that you wear a plain white tee and over the course of the night people stencil pictures onto it. The only problem is I got way too drunk and started to indiscriminately spray spots on people (yes, I was that jerk), drawing the ire of all.

That was the first incarnation of Tuxedo Cat, a rooftop bar above Market Bazaar, which was eventually demolished to make way for flats. It’s next incarnation was the unused office space on King William St, Electra House, which too became unusable this time due to red tape.

Finally the Cat has come to rest on North Terrace in the space that was once club 199, and the space next door. Scenery Stuntman John Dexter spoke with Tuxedo Cat about their new abode, and their doings during this year’s Fringe.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

 

Next, a wrap up of our favourite songs and albums for 2011, and then I drink lots of coffee and get this jerk up to date.