VIBRATORS (The Cultural Impact of Licensing and Regulation for Small Venues and Bars)

On Monday May 7th 2012 Renew Adelaide hosted a forum at the Jade Monkey on The Cultural Impact of Licensing and Regulation for Small Venues and Bars. The forum featured Renew Adelaide director Ianto Ware, Format Collective director Stan Mahoney, Tuxedo Cat organiser Cass Tombs, West End Association President Andrew Wallace, Suzi Wong’s Room proprietor Nina Jerebica, Deputy Chief of Staff of the Premier Lois Boswell, and cultural policy guru John Wardle.

The Scenery were lucky enough to be included as conversation partners on the forum, joining an illustrious list that included; The Jade Monkey, Fnucky, Suzi Wong’s Room, The Adelaide West End Association, Tuxedo Cat, Udaberri, Music SA, Adelaide Fringe, Format, Magazine and Renew Adelaide.

The turnout to the event exceeded expectations, with the venue reaching capacity shortly before the forum was to start. Most sincere apologies to all those who were turned away. I must say that it was exciting to see a wide cross section of the community that cared enough about the topic to come in attendance.

I’d like the acknowledge the attendance of fellow Radio Adelaide family Jennie Lenman of Streetcast, Seb Tonkin of The Range on Tuesdays, Luke Penman of Local Noise, Luke Eygenraam of the Friday Range and the Live Sessions, and Ryan Winter of the Scenery.

The Scenery recorded the event with the much appreciated help of Ross from Northern Sound System. Paul Gallasch also videotaped the event, which will be available to view in the next coming days.

Please note that the sound quality is not extraordinary, and that non microphoned members of the crowd have been crudely amplified.

Intro – Ianto Ware

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Stan Mahoney of Format

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Nina Jerebica of Suzi Wong’s Room

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Cass Tombs of Tuxedo Cat

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Andrew Wallace of the West End Association

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Ian Horne of the AHA

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Lois Boswell, Deputy Chief of Staff of the Premeir of SA

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John Wardle

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Discussion

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We can only hope that this is just the beginning of the conversation.

Support the venues that support “fine grained” Adelaide culture, and buy some damn beer.

THIS is the link to Raise the Bar

Listen in to the Scenery this Friday May 11th as we recap this event with a chat to Lord Mayor Stephen Yarwood, and Ianto Ware.

 

 

XO

Unfortunate Furnishings

The Doctor is in.

On this episode of the Scenery Ryan and Alex were joined by Negroni enthusiast Ianto Ware, and Nina Jerebica of Suzi Wong’s Room. The tireless Ryan Winter also had a chat with Daniel Randell, the general manager of Music SA about a proposed music training centre to be built in the Adelaide CBD.

We once again return to a topic of concern for the Scenery; liquor licensing. The eternal crusader Ianto Ware returns to regale us with the trials and tribulations of Hindmarsh cafebar/lounge Suzi Wong’s Room. On previous episodes of the Scenery, Ianto has discussed the lack of a liquor license classification for a small bar/venue. This lack of classification is currently preventing a host of small venue operators the relative ease of realising their goal compared with other states, not to mention it being an effective wall in the way of this city reaching it’s potential vibrancy. In order to give an actual example of the frustrations experienced by small venue operators, Ianto invited Nina Jerebica, manager of Suzi Wong’s Room, onto the show to talk about her experiences with liquor licensing, and the interpretation of licensing rules by licensing enforcement.

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Music SA, headed by Daniel Randell, has proposed that a vacant three story building on Currie St become Australia’s first Music Industry Training Centre. It would provide courses for people wanting to work in the music industry, including promoters, artist and event managers, sound technicians, festival organisers and road crew. Importantly it would also re-enforce Adelaide and South Australia’s somewhat under resourced music industry. Ryan Winter catches up with Daniel Randell to talk about the project.

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This week’s feature track comes from a split 7″ that we bought from Format before the show between Nothing People and Scenery favorites Mondo Phase Band. We played ‘Horseshoe’ from Mondo Phase Band which you can hear here and our feature track ‘Pride’ by Nothing People. If you don’t like fuzz then I can not help you.

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Hide the Laphroaig.

Scenery Out.

We Built This City On Rock and Roll

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We are very lucky at the Scenery to speak with some of Adelaide’s most productive and brightest people, that have actively spent their own time and money building up cultural institutions that do their darnedest to keep Adelaide buzzing. There have been times in my adolescent/adult lifetime where I’ve been saddened by the inevitable closure of some iconic shops/venues/magazines around Adelaide. I remember being a delinquent punk that frequently wore NOFX t-shirts and being crushed when Veranda Music closed down, or years later when I first discovered the old Tuxedo Cat, only for it to be shut down soon after. Then there was the abandonment of the Tivoli due to residential apartments being built directly behind it, troubles shared by the block away East End Exchange/Electric Light/Producers which now stands empty. The dank jazz dwelling of Fad bar gave up the ghost, to eventually become the crisp modern Gallery on Waymouth. Across the street from Veranda was Big Star which bit the bullet in 2010, and now this year saw the closure of Mr V’s Music, and sees the closure of Krypton Discs. There are many other places, and many different reasons for each of these places closing down. Some reasons were preventable, others an inevitable outcome of an ever changing economy. Regardless you still feel noticeable loss when they’re gone, and they become a part of nostalgia that you tell you children many years from now.

Bucking the trend of many was the perfectly placed Jade Monkey. It resides down an unassuming side street that links Rundle Mall with Grenfell St. You may not give Twin St as much credit as it deserves, but it houses hip hop store Clinic 116, alternative clothing store Irving Baby, a second hand book store, the odd entrance to the Adelaide Arcade, and other oddities but importantly no apartment and no residences. This allowed the Jade to operate with very little bother.

But I guess a matter of importance to some was that Twin Street, as well as the immediate western corner of Grenfell St was quite ugly, and needed some form of re development. Enter Hines Property Group, who successfully had approved a 17 storey hotel complex (no doubt a feat in itself) that would consume the current location of the Jade.

When the news reached the patrons of the Adelaide live scene an outpouring of support saturated social media. A digital petition was set up that accumulated thousands of signatures, the commercial media had news reports, the Lord Mayor made a statement, the Premier made a statement and Ianto’s Renew blog on the subject had the most hits of any.

It seemed Adelaide had finally felt the loss of what is of great importance to it – culture. The fallout of the Jade closure has had a very positive effect, but in a very Adelaide way.  In that there is now many people talking, talking about live music, the future of small venue bars and the ultimate vibrancy of the city. There is even, as we speak, talk of the creation of a lobby like group that will look into the liquor licensing regulations, building codes and alleged corruption in the policing and distribution of liquor licenses and their exaggerated attention on smaller, and pop up venues. At this stage though it is all very much potential – Adelaide in a nutshell.

For now we say support you local venues that support local music, and give the Jade Monkey the send off it deserves.

On this episode we spoke to Dr Ianto Ware of Renew Adelaide and Zac Coligan of the Jade Monkey. Ianto discussed the obstacles and absurd licensing regulations that would prevent, in our current environment, anything like the Jade making a viable presence on the Adelaide scene. Whilst Zac spoke about his appreciation of the support, and the future of the Jade Monkey.

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This week’s feature artist is Melbourne band Witch Hats with their single ‘In the Mortuary’.

Following the LP releases of Royal Headache and The Twerps, not to mention the work of Dick Diver, Witch Hats have followed suit in maturing their sound. We love the kind of immediate revolution that have befallen bands that debut hard, lo fi and full punk only to return thought out, conceived and comfortable. I’m not sure what that says about us, or them, or consumers in general. and i don’t care.

Arrivederci

*note 1: while there is an actual children’s telemovie that was filmed in Perth called ‘Clowning Around’, Alex was of the firm beleif that a show or an epsisode of a show un attached to that production was filmed at Adelaide’s clowning around store BUT will contend that this may have been a created memory that he has for some reason imagined (and for some time may I tell you).

*note 2: witch hats are infact from Melbourne, Victoria. Sorry Mateo.