Hippodamus

This week on the Scenery we capped of the tetralogy of the ‘activation’ series of interviews (The Mayor, Tim Horton, and the Premier) with head of the Urban Renewal Authority Fred Hansen.

South Australians, and many people around the world, are slowly changing the way they view the world around them. Design is encroaching on every aspect of our day to day as we are start to think about the way that things exist together, and co operate with each other. Instead of looking at one aspect of our lives at a time, we are starting to integrate everything into a sustainable, streamline nature. From the ideas of the Thinkers In Residence, to the Integrated Design Commission and 5000+, the work of Renew Adelaide, the visions of an optimistic Mayor, and even the cover of a little Magazine we, as a city, have changed.

When we get beyond the buzz words of ‘activation’, vibrancy’ and move beyond the idea of making Adelaide like Melbourne, we are left with a city and it’s people. Adelaide is a long city, that now encompasses what ten years ago would have been considered satellite towns. Adelaide also has a small population, so essentially more space taken up by fewer people, meaning we are further apart then most capital cities in the world. It’s the result of, among many things, the quarter acre dream. It seemed we wanted our own little feifdom, with which to retreat behind our 12 foot fences, double garages for the SUV, and the wall sized television.

And then we forgot to be neighbours…

I still remember the corner store that sold slush puppies, and the butcher that would know my name and always give me a slice of fritz, and the deli guy that looked after me after I ran away from home. Soon enough they gave way to the Foodland, with their bag packers that would then deliver the groceries to your door. Then the super markets paired up with department stores, and I would wander off as my mother looked at clothes, only to eventually burst into tears when I couldn’t find her again. Then all the super markets amalgamted into two and a half, and they want you to check yourself out.

Slowly and surely we have sacrificed our relationships with each other to the point where we can live a productive life without ever having to interact with a single person.

We all know that we’ve lost something, some richness to our lives. Forever we are seeking out nostaligia, that untangible memory of sun faded happiness that we love and destroy. We all want to be recognised by the guy/gal that sells us coffee, we all want him/her to say our order before we have to.

Enough, enough…

Scenery man of mystery, the puff of smoke known as John Diabolik Dexter, caught up with the former Thinker in Residence and head of the Urban Renewal Authority Fred Hansen.

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This week’s feature track comes from Adelaide/Sydney duo Collarbones. Described by one phrase music review site Crow Eaters as “Half-Adelaide duo ditch the bangers, lament subsequent loss of banging “, we still think the moody glitch sway is a swell soundtrack to driving at night.

Missing by Collarbones
OUT.

The Hon.

This story begins many many weeks ago. Adelaide was much younger then, and in need of some soft nurturing hands and some bars.

I was standing in the offices of Radio Adelaide (228 North Terrace, next to the Anthopolgy building, for all you subscription needs). Restless, I tapped my collegue John on the shoulder and asked whether he would fancy a skip and a hop down to Format. I beleive we took the route of North Terrace down to King William, as to avoid the consumers in Rundle Mall, and perhaps stick our noses into Tuxedo Cat to ascertain whether the selling of beers was occurring.

The sun was near completing it’s decent beyond the gulf of St Vincent, when in actuality it was the Earth itself, particularly the South Easternish hemisphere, turning away from the sun (or if your point of view is America/Europe being the centre of the world, turning toward the sun.) We were on Hindley Street by that stage, I could tell because the shop fronts took on a decidedly lesser brow.

We turned, fighting the unavoidbale g-force of vibrations, down into Peel Street where standing there was none other than Tea & Magazine merchant, and some times bicycle chaining felon Joshua Fanning.

“Oh, hello dear sir. Jolly funny that we should bump into you like this. What may I ask brings you to this most vibrative of bitchumen paths”, I said.

“Waiting for a bunch of beaurocrats”.

Mr Fanning went onto explain that the capital city committee had decided to tinker with the already fine workings of Leigh St and that, he beleived, they should perhaps focus some time and energy on the laneways that weren’t doing so well, such as the very one upon which we stood.

We bid him good luck, tipped our hats, and journeyed forth to Format. Despite the sign on the door reading that the shop were to open at Three PM, and it being a quarter past that time, the door was locked. We therefore turned heel, and traveled back to Josh. It was at this time that the capital city committee turned up.

I said to my collegue John.

“Hold up good chap, let’s eavesdrop”.

And that we did.

It turned out that this group of bureaucrats included Lord Mayor Stephen Yarwood and Premeir Jay Weatherill. We inconspicuously waited back, leaning on pillars like the cool guys that we were (although I think John was standing upright, like a person above the age of 17). All of a sudden standing next to us, like a ninja from a thin mist, was a woman.

“Are you with Josh”, she asked.

A conversation ensued, the woman introduced herself as Lois Boswell, deputy chief of staff of the Premier. We introduced ourselves as The Scenery, we make lots and lots of money with our radio show. Seconds later we were shaking hands with the Premier, giving our personnel details to the governent, and then shaking hands with the Mayor.

Then Stan came. It involved the Mayor, there may have been talk of ball tickling, but that’s another story…

Some time after that the Scenery was involved in a conversation that may well have changed the course of Adelaide’s destiny: The Cultural Impact of Licensing and Regulation for Small Venues and Bars CODENAME: VIBRATORS.

So we all know what happened there, or we SHOULD all know ^^^. Anyway I found myself with a pint of Little Creatures Quiet American, sitting in the front bar of the Wheatsheaf with a host of good people and Stan. Joe Hay was talking excitedly about an idea that we’ll come back to a bit later. Then Lois Boswell leans over, like a ninja from a thin mist, and says.

“Y’know, we got to get the Premier on your show”

“Sure”, I said.

And the rest is history. Thanks Lois.

And so the Scenery, along with Ianto Ware, welcomed Premier Jay Weatherill. We weren’t short of any topics of interest for the Premier, but decided on three main points of focus:

1)The budget decisions regarding the Thinkers in Residence Program and the Integrated Design Commission and what that meant for the future of South Australian design.

2) The government’s response to suggestions of a small venues liquor license, and amendments to building codes in order to stimulate Adelaide’s fine grain culture and night time economy.

3) How important is the relationship between State and Local Governments in achieving the related goals of the above.

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The announcement of a Thinker in Residence, most likely the last of the program, to tackle the live music industry and the related issues, was met with great anticipation from the Scenery and de facto member Ianto Ware. The idea for this goes way back to before that night at the Wheatsheaf.

“So who do you think we should get to be a Thinker for the live music scene”. Joe Hay asks putting me on the spot.

“Nick Cave”, I say.

“Lemmy”, says Ianto.

(The Scenery shall hold a poll as to who you think would be the better thinker.)

Following the show the Premier visited the Jade Monkey, and spoke with Zac before sitting down for a beer and a chat with Mateo, Ianto and myself. Then it was time for an impromptu tour of down stairs bar Two Ships, during Mutiny. Only in Adelaide.

Goodnight, and goodluck.

 

 

Arkhitekton

During the week leading up to this episode of the Scenery, The South Australian budget was revealed. Within the budget was the axing of the Thinkers in Residence program, and the discontinuation of funding for the Integrated Design Comission, saving the state a mere three million dollars.

Friends of the Scenery were dismayed at the decision, sighting among other things, the positive culture that both these programs have helped cultivate in this city. Alas there was an opinion that these projects, particular the Thinkers, was Rann vanity, peddled some by the media and adopted as legitimate by those unfamiliar with the projects. There was also a feeling among some that the Thinkers program was an insult to the current established South Australians, and that surely their opinions were more pertinent than an outsider’s. It’s clear to the Scenery that these people unfortunately missed the point. We saw the Thinkers program as a way for knowledgeable folk from elsewhere, without any investment or stock in this state, to give a detached fresh perspective of the various problems that we face.

Take a look at some of the amazing people that took part in the thinkers program, and their ideas that were adopted and have helped improve the state in the areas of sustainability, well being, public transport, childhood education, ageing, future manufacturing, safer roads, justice, social innovation, food & wine production, climate change, bio-economy, new media and urban renewal .

http://www.thinkers.sa.gov.au/

In light of the news The Scenery decided to take the opportunity to speak with the eternally optimistic, but ginless, Tim Horton of the Integrated Design Commission about the future of the IDC, and urban design in South Australia.

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This week’s featured track is an interesting one from Grizzly Bear. From their forthcoming as yet untitled album. Sleeping Ute.

 

mmm.

Re-Animator

This Scenery episode first aired on November 4th. Taking the reigns were Scenery OG’s Ryan Winter and Mateo Szlapek-Sewillo. Ryan had been a busy man since last on The Scenery and surprised us all with an epic conversation that he had recorded with fellow Radio Adelaide presenters Angelique Edmonds and John Byleveld from show The Plan. The Plan airs on 101.5FM Wednesdays from 6PM and discusses all things design, environment and affect.

Adelaide’s urban plan has been on the tip of many tongues in the last many years. There are a great many motives for peoples interest, debate and investment in Adelaide’s plan whether it be cultural, economic, aesthetic or all three. It seems it is our time now when most of those involved are beginning to sync up in their methods and ideas, and even at times collaborating, to improve the livability of our capital.The importance of this can be realised with the creation of various government funded bodies to address this very issue, those being 5000+, the Integrated Design Commission and Picture Adelaide. Many people have applauded the Stephen Yarwood led Adelaide City Council for their efforts to make it easier for those improving the city to do so, though some still have their criticism of the outmoded city planning laws and bureaucracies. Of course much praise must be given to those, who for whatever reason, have done their utmost to stimulate the culture of the city, creating vibrancy, with artist run spaces , street art, vacant building activation and community discussion.

Ryan’s discussion with The Plan addresses mainly the practical elements of Adelaide’s plan and the infrastructure development needed to achieve and accommodate the city’s population and growth, as well as the engagement required within the community.

 

 

This week’s feature track comes from Melbourne via Albury-Wodonga band Dirt Farmer with the track Real Young. You guys like sitting in the sun, with your back against a tree, sipping on a frozen sangria, wasting the day away listening to your mates tell stories from the sprawl, right? Well this is the soundtrack to that.

 

 

Hey Eckhart, think about the future.

Love Mateo & Ryan (and alex).